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  • Kathy Dempsey: Good stuff. I believe in learning from retail and in merchandising in libraries. Back in 2002,...
  • Tasha: Thanks for the reminder to keep ourselves from being in an echo chamber! I’ll definitely be taking a...
  • StevenB: Good point Jim. Looking at users by category could be an interesting way to be advance customer centricity....
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Discovering Inspiration In The Retail Sector

Some bad news came for two large retailers at the end of 2011. Sears Holding Corporation, the parent of Sears and K-Mart, announced that it would close 100-120 stores across the United States. With some 4,000 outlets, this amounts to just a small percentage of the total stores. Unlike most of our libraries, retail stores will close if they fail to attract enough customers. As the Sears/K-Mart example demonstrates, even those identified as “marginal performers” will be targeted for closure. Marginal isn’t good enough in the retail industry. Whether it was owing to the bad economy, too much competition, poor selection and service at those stores or other factors, it is tough to survive in retail.

That’s why retailers are often at the forefront of innovation in finding better ways to attract and delight customers. The retail industry was a source of innovation for Commerce Bank (mentioned in the prior DBL post), leading to new services in the banking industry, such as being open 7 days a week and introducing other customer conveniences. While libraries are not subject to the same constraints as retail stores, they can emulate Commerce Bank by following developments in the retail industry. I recently came across several articles of interest that could yield new ideas for libraries that want to offer a better user experience.

For starters you could explore some of the trends sighted in the retail sector that reflect new ideas in attracting customers and giving them a better experience in the store. In the article “Brand New World” Martin Pedersen shares a number of trends he spotted. In major cities the pop-up trend is catching on among restaurants, but now established retailers are giving it a try. Using the cosmetics firm Aesop as an example, Pedersen shows how retailers can get beyond the same look as every other store in the mall. Consider that counters are composed of old newspapers stacked upon one another. Aesop’s president said that “People want to be stimulated visually and intellectually, and our signature stores offer an element of surprise and discovery.” As always, try to be different, and retail may provide some clues on how to do just that. Department stores are innovating by making every level a different experience, not merely two floors for women, a floor for men, another for housewares, etc. A multi-level library might feature one floor as the technology experience with hi-tech everything, while the next level might be the no distractions zone (no cell signals, no wireless, no computers). Take a look, and read more about “secret locations”, another intriguing idea.

While it’s fun to find out what’s happening on the physical side of retail, exploring the latest strategies for reaching the customer is a fine complement. Some contemporary strategies, such as expanding into China, won’t hold much promise for libraries (although reaching out into new territory within your community is always a potential growth strategy), but the post “New Retail Strategies: Offering a Better Fit for Today’s Careful Consumers” offers ideas librarians might want to consider. Wharton marketing professor Jerry Wind summed up the most important retail strategies right now: create excitement; tap into social networks; allow individuals to customize their own product;empower customers to influence the product producer. Consumer behavior is being permanently changed by online retailing. They expect to have great control over the process, from having wide selection, to competitive pricing, to getting reviews from the crowd. How do librarians offer a competing experience, or at least one that meets the basic expectations? The key strategy for the retailers is to try to stay connected to the customer as much as possible. That may explain those daily email announcements from all the online retailers with whom you’ve done business. The key strategy is to understand the customers and offer them a service operation that meets or exceeds their expectations.

If you wanted to learn how cool retail works, you’d go to an Apple Store. If you wanted to understand the thinking behind the Apple Store you’d go to the guy that made it what it is. “Retail Isn’t Broken: Stores Are” is an interview with Ron Johnson, who designed the Apple Stores, and here he provides the Harvard Business Review with an inside look at the Apple Store concept and his plans for transforming J.C. Penney department stores into a solid competitor for the consumer dollar. The big takeaway for me is Johnson’s recognition that those who serve the public need to be about more than mere transactions:

A store has got to be much more than a place to acquire merchandise. It’s got to help people enrich their lives. If the store just fulfills a specific product need, it’s not creating new types of value for the consumer. It’s transacting. Any website can do that. But if a store can help shoppers find outfits that make them feel better about themselves, for instance, or introduce them to a new device that can change the way they communicate, the store is adding value beyond simply providing merchandise. The stores that can do that will take the lead.

Replace “store” with “library” and “merchandise” with “content”, and you get a better picture of what Johnson tried to do at Apple. It’s all about creating value beyond the transaction. He says “the Apple Store succeeded not because we tweaked the traditional model. We reimagined everything.” He goes on to provide examples of how Apple Stores provide that value. There’s much more here that will inspire you to take a closer look at what Johnson is up to at J.C. Penney, and when you do you’ll see he’s a big believer in the power of building relationships, being a differentiator and and leading the customer.

Examples of good experiences and models for innovative service delivery will be found in a variety of industries, but these three articles demonstrate that librarians have much to learn from the world of retail. I’ll leave you with a suggestion to check out this slideshow to see more examples of how retailers are taking new approaches to reinvent how they connect with their customers. The rest is up to us.

Get Inspired To Innovate: Ignore What You Know

In a fairly well-known library journal I came across a column advising librarians on keeping up. There I found suggestions for how to stay on top of what’s happening in the library profession. At least that was the author’s intent. What left me disappointed was the narrowness of the scope of the suggested resources. It was mostly a collection of the same old “popular” librarian blogs. Several of those listed would hardly even help if your real intent was staying abreast of the latest developments in the profession. My other issue with this column’s advice is that it neglects to point librarians in the right direction for keeping up with content that will inspire them with creative new ideas for innovation. That’s why my advice is for librarians to always look beyond librarianship for greater inspiration. That’s where you’ll find the ideas that could be applied to library practice waiting to be discovered.

You’ll find similar advice in Bill Taylor’s blog post Don’t Let What You Know Limit What You Imagine. He reminds us that it’s important that we not let our experience – and all that we know about our industry and what we read about it – limit our capacity to come up with new ways of looking at things. He says we need to have “vuja de” :

The most effective leaders demonstrate a capacity for vuja dé. We’ve all experienced déjà vu Looking at an unfamiliar situation and feeling like you’ve seen it before. Vuja dé is the flip side of that — looking at a familiar situation (a field you’ve worked in for decades, products you’ve worked on for years) as if you’ve never seen it before, and, with that fresh line of sight, developing a distinctive point of view on the future. If you believe, as I do, that what you see shapes how you change, then the question for change-minded leaders becomes: How do you look at your organization and your field as if you are seeing them for the first time?

He uses Commerce Bank as his primary example. You can read more of the specifics in his column, but what captured my attention is that Commerce refused to benchmark itself against other banks. Think about how often we do this in our libraries. We look to see what the other libraries are doing. We develop “comparison” lists so we know which libraries we need to follow. True, it’s a good idea to occasionally ask colleagues in similar libraries how they handle a specific problem (e.g., I recently asked for advice on a particular policy issue), but just following what other libraries do, according to Taylor, is unlikely to lead to any significant innovation in your library.

Commerce’s leaders ignored what other banks did, especially when the talk turned to “best practices”. Instead it looked at totally different industries. So instead of studying Citibank and BankAmerica, they followed what was happening at Target, Starbucks and Best Buy. Taylor concludes by reminding us:

You can’t let what you know limit what you can imagine. As you try to do something special, exciting, important in your work, as you work hard to devise creative solutions to stubborn problems, don’t just look to other organizations in your field (or to your past successes) for ideas and practices. Look to great organizations in all sorts of unrelated fields to see what works for them — and how you can apply their ideas to your problems.

By all means, follow the library literature that helps you to become a better librarian, and that keeps you alert to what’s happening in the world of librarianship. That’s a path to continuing professional development that will help you to keep growing and improving your professional practice. But don’t stop there. When it comes to keeping up, go beyond those traditional library magazines and blogs. Don’t place those limits on your powers of creativity and innovation. If you need some suggestions for resources beyond the library literature, you’ll find some at my Keeping Up Website. In the new year, choose to be more intentional about ignoring what you know in order to discover new ways to design a better library experience for your community members.

Be A Solutions Provider Not Just An Ingredients Supplier

Recommending that librarians should provide different levels of service to community members is right up there with advocating for the end of reference desks or a future dominated by bookless libraries. It can be volatile subject matter for discussion. The library is a commons that is owned by each community member, and each of those members is equally eligible to receive all the benefits and services and access all the resources to which he or she is entitled. In an age of heightened customer expectations, does the “everyone is equal” approach still work or should librarians be more customer centric.

What does it mean to be customer centric? That is the subject of a new book by Peter Fader, a professor of marketing at the Wharton School of the University of Pennsylvania. In this new book titled Customer Centricity, Fader promotes the idea that successful organizations will wisely segment their customers, and create special services for the most valued customers – services that might be unavailable to other customers. Being customer centric means more than just giving community members everything they want. As he explains in an interview:

Too many people think that being customer centric means doing everything that your customers want, and that’s not the case. Being friendly and offering good service are a part of customer centricity, but they are not the whole thing. Customer centricity means that you’re going to be friendly, provide good service and develop new products and services for the special focal customers — the ones who provide a lot of value for you — but not necessarily for the other ones. You need to pick and choose. Some customers deserve the special treatment, and if others want to buy from you, that’s great, but they are not going to be treated the same.

While the goal of customer centricity may be unthinkable to some librarians, when we honestly assess how we treat community members, we already make distinctions between them and offer special treatment to some and not others. In academic libraries we certainly treat faculty members differently than students. We may offer faculty a book delivery service while everyone else has to come to the library. A faculty member’s research question is typically prioritized. Not fair perhaps, but it’s critical to build a good relationship with the faculty. It’s part of what we do to keep them satisfied; our funding might depend on it.

It’s the same thing with the Provost or President. They’ll receive a level of service above other community members. The quality of the work is no less for everyone else, but the provost or president will get much more personalized attention and faster service – and the amount of attention and effort may even exceed what others would get from a librarian. Those types of inequities aside, what about students. Do we make distinctions among the student body, especially among undergrads? We might have some special service, perhaps private study carrels, for honors students. I’m sure this happens in public libraries as well. Consider the advantages of developing some targeted and personalized research services for customers who can provide the most value, such as city councilpersons or the municipal finance office. Perhaps we are more customer centric than we think.

If we choose to formally recognize the importance of customer centricity then we should make it a part of the design of the library user experience. To put this into perspective I want to share one segment of the interview with Fader that resonated more strongly with me. That’s because I want to advocate that we should always seek to emphasize who we are as library professionals and what we can do for our community members by delivering expert services. Content is important, but the community could easily access the content without librarians. Here’s the passage:

Instead of pushing back and complaining, companies have to realize that instead of just putting products out there, they really need to be a solutions provider. That’s kind of a corny phrase these days, but I think there is some validity to it. Companies need to help consumers figure out how their products and services are going to fit into their lives and offer solutions, and not just ingredients.

Solutions versus ingredients. I really like to think of it that way. All the library content, that’s the ingredients. We can offer plenty of unique material that community members will find nowhere else. What we can’t do, given the number of community members and the limited staff, is provide everyone with the same level of service. Consider a more specialized library experience focusing on provided solutions where customer centricity is appropriate. After all, that’s what design is largely about – finding solutions. That’s what librarians do. Community members bring us their information problems. There’s a gap between what they know and they want they need to learn. There’s a point trying to be made and the data’s missing. The challenge is doing the “picking and choosing” that’s required by customer centricity. How do you make those decisions? Are you already being customer centric, either intentionally or unconsciously? If not, are you thinking about it?

A Manual For Design Thinkers

One of the knocks against design thinking is that it’s too much about thinking and too little about taking practical action – getting things done. I wrote about this reaction, which calls into question the value of design thinking, and suggested that we needed to focus more on the design approach as a practical method for putting our design thinking tools and techniques to work. In seeking out more ideas on how to accomplish this I acquired a copy of “Designing for Growth: A Design Toolkit for Managers.”. I believe the book has lived up to expectations. Of the numerous books and articles I’ve read about design thinking, this one is the best at providing a concrete approach to applying design thinking in your practice. Yet in many ways the book sticks to the blueprint for design thinking, albeit broken down into more steps with a variety of techniques organized into “ten tools”.

Let me give you an example. In the classic IDEO method, the first phase of the design thinking process is to be an empathic designer – to put yourself into the place of the end user of your service or product. As was famously said about designers in the Deep Dive video by David Kelley, “We not experts at anything. The only things we’re experts at is the design process.” The video then goes on to illustrate how designers go out into the field to study the existing experience and learn from the experts – those who either create or use the product or service. The second tool in the Toolkit is Journey Mapping. This is an exercise the design team conducts to create a graphic flowchart of the customer’s experience as he or she interacts with the products and services provided by the library. The whole point of Mapping is to deeply understand things from the point of view of the end user. What’s the first tool? That’s another thing I really liked; it’s visualization. The authors, right off the bat, emphasize the importance of visual communication throughout the design process. There’s a chapter dedicated to each of the ten tools, and the one on visualization even has some sketching tips.

Many of the steps, processes and tools discussed in the book really connect back to the basic fundamentals of design thinking. The difference is in the way the ideas, practices and techniques are organized around four phases of the design process: (1) What Is? (2) What If? (3) What Wows? (4) What Works. It’s interesting that steps one and two are all about discovering what the gap is between the problem and potential solution. Again, that’s classic design thinking. What Wows is all about prototyping, and What Works is about implementation and evaluation. It’s all there. That said, I see this book as being somewhat different from others on design thinking. Others, like The Art of Innovation or The Design of Business, are more like straight read throughs. This book really is more like a toolkit. You just use your hammer or screwdriver when you need it to get a job done; you don’t take out every tool in the box. Likewise, if I just want to invite our community members to work with us in developing a new service, I can just make use of the chapter on customer co-creation. It offers me the steps I need to follow to get this done successfully. While some may come away with the impression that the book is a bit on the busy side and that there are many possible distractions within the book, I tend to prefer the many sidebars used throughout the book. They may be a bit of a distraction on the first reading, but then you discover there’s lots of practical advice and ideas found within those sidebars.

If you want to get a taste of the book Designing for Growth, you may want to read an article based on the book, “Learning to use design thinking tools for successful innovation” that was authored by Jeanne Liedtka in the journal Strategy & Leadership (Vol. 39 No. 5, pgs. 13-19). It is behind a paywall, and your library may or may not provide access (NOTE: it can be “rented” for $3.99 via DeepDyve if that option works for you). When librarians ask me to provide more practical ideas for how they can implement design thinking in their libraries, I’m going to point them to Designing for Growth. I think the authors are on the right track when it comes to moving potential design thinkers from thinking to doing.

How To Tell If They Really Love Your Library

This is a profession that promotes the idea of loving a library. If you need some evidence just visit ILoveLibraries.org. If you find it difficult to express love for a building, then you can shift your affections to your favorite librarian – over at I Love My Librarian. Anyone ever heard of an “I Love My Accountant” movement? Maybe if he or she just saved you a bundle in taxes you would wear one of these.

We like the idea that a library or librarian can be loved by community members, and while I joke a bit with the concept we know it’s a great marketing strategy to encourage community members to show their appreciation and the value they place on libraries. It reminds me of that old Pee-Wee Herman running gag on the classic television show. Whenever Pee-Wee said “I love my/this _______” (fill-in-the-blank) another character would come back with “Then why don’t you marry it” which works great on all sorts of objects, such as fruit salad. Anyone out there want to marry their library?

But what does it really mean to love a library or any other inanimate object? There’s actually a study that attempts to answer this question. It’s a report titled “Shoes, Cars and Other Love Stories” and it’s actually a dissertation in the field of industrial design by Beatriz Russo. The research is based on an analysis of just twenty-four people who were asked many questions about products they loved. The author says the dissertation “describes a journey in unravelling and clarifying this complex, powerful and, sometimes, unexplainable experience people have with special products they love, own, and use.” The author sought to determine what are the qualities and characteristics of product love. Here are a few of the key characteristics:

* There’s a meaningful relationship
* The relationship is deeply rewarding
* The relationship is enduring
* It’s not just an experience but rather a container of experiences
* It can change over time – perhaps even towards dislike

Admittedly there is some vagueness to these ideas. What does it mean to have a ‘meaningful’ relationship with a product? Do those who love a specific product lust over a new competitor? What causes a breakup? Do human loved ones actually get jealous of those loved products? Being it’s a dissertation it can’t answer all these questions, but there’s some useful information that may enlighten us about what it takes to get someone to love our product – or in our case the library and services we provide. If you have only limited time for some browsing of the research findings, you may find the section on the phases of product love as interesting as I did (starts on p.121).

Like any love relationship, product love begins with attraction (e.g., “Wow, take a look at that laptop”). Then there is the build-up phase shortly after the product is purchased, which sounds a bit like the honeymoon part of the relationship (e.g., “I could work on this laptop all day – it’s so light and portable). The continuation phase is where most of the relationship takes place, and it’s at that point where the owner is completely comfortable with the product (e.g., “I couldn’t even imagine getting another laptop”). Now in all love relationships there are some rocky times, and here you can hit a deterioration phase in which the owner loses interest (e.g., “This laptop seems a lot slower than it used to be and those new models are really thin and light”). And you know what deterioration leads to of course – the end phase (“I’ve had it with this sucky laptop”). In some ways it sounds just like a real relationship, although we only throw out our products at the end of the road.

Does knowing the basic qualities and phases of product love make it possible for librarians to truly understand not only what community members mean when they tell us they love our library, but to create an experience specifically designed to facilitate such a passionate relationship ? I think you can make a case that it’s possible for members of a public or academic community to develop a meaningful relationship with their library and hopefully with the staff. What’s meaningful about it may be different to a mix of people. For some it may be the books, for others the sacred space and yet for others the interaction and conversation found there. Looking at the list of key characteristics that Russo developed, it is strongly reminiscent of my three core ways in which libraries can differentiate themselves (meaning; relationships; totality). While I’d like to think the connector between the library and the passionate user is a meaningful relationship, that could be an area for more involved research. What would the community members have to say about this?

What we do hear anecdotally (and all too often from non-librarian conference speakers) from individuals is that their fond library memories often stretch back to their earliest encounters with library books or a caring librarian. While the relationships change and the community members move on, their love for the library can endure and cross over from one library to another – unless he or she encounters a library with a truly poor experience. You can well imagine having a much loved product, and then encountering a new incarnation of or variation on that product that truly disappoints. That will probably end the relationship (think “New Coke” or “Qwikster”).

Thanks to this dissertation we can gain a better understanding of the relationship individuals build with products (or services), and how that leads to something along the lines of true love. With that knowledge we librarians might be equipped to provide the type of experience that leads to a true love for libraries. But there are occasions when the relationship changes and community members move on. For some, deterioration and the end may eventually arrive, which is why we need to constantly be finding new members who will become passionate about the library. That’s where marketing, promotion, branding and relationship building come into play. How can we create awareness and best present our library so others will fall in love with it? It may ultimately come down to designing a great library user experience that sets the stage for the blossoming of love.